Die a Happy Man

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Die a Happy Man by Thomas Rhett

Recommended by Caroline

"Thomas Rhett singing about his wife...so cute 😍"

(FYI: I have my first test in music class tomorrow, so I'm going to study by throwing in some of the terms I'm supposed to know at this point.)

The rhythm is in quadruple meter (All of the songs that were ever in the Top 100 last year were in quadruple meter). The tempo is moderate, but the surface rhythm is a little slow. Leisurely, maybe. Makes sense for a romantic ballad.

The melody is in a pretty comfortable range, and his voice sounds great on it. It feels pretty peaceful and positive, since it's in a major key.

The harmonies are pretty consonant, with the repeating chord progression typical of the music that's popularly played on the radio.

We're looking at a homophonic texture, which means that there's one important melodic line (Thomas Rhett's vocals) being supported by the rest of the harmonic accompaniment (guitar, drums, etc.). I love the way the guitar takes over as the most important line for a while, as Rhett just hums.

Because of the combination of the above elements, the mood is relaxed and warm. The music floats along softly and gently, like it doesn't want to end.

This song is just really really sweet. I adore love songs like this, where you can see the whole song taking place in your mind, even without watching the music video. The lyrics are adorable, comparing his girl these incredible things like auroras and the Eiffel tower...and saying that she's better than all of it.

Also, he mentions Georgia which always earns bonus points in my book. Go Dawgs!

Overview:

Genre:
Country

Favorite Lyrics:
You're a saint, you're a goddess;
The cutest, the hottest;
A masterpiece.

Verdict:
a great escape

Star Wars (John Williams is the Man)

John Williams is the Man

Star Wars (A Capella arrangement by Moosebutter) 

Recommended by Sara

Above is a lip-sync video of Corey Vidal, but all the arranging and singing was done by Moosebutter. Corey's video was nominated way back in 2009 for Favorite User-Generated at the People's Choice Awards, so that's cool.

I first heard this arrangement a few years ago before I'd seen any of the Star Wars movies, and I have to say it's a lot more entertaining now. The music itself was recognizable even back then because everyone has heard the theme song from Star Wars, even if you haven't seen the films. The lyrics, on the other hand, are all about quotes and characters that may not be quite as familiar as the music.

In any case, I'm all about Star Wars these days (yes, I jumped on the bandwagon with everyone else after watching The Force Awakens), so I was excited to receive this submission and revisit the arrangement.

The lyrics are all Star Wars references, but the arrangement is actually a medley of several different John Williams pieces. Included are the themes to:

Close Encounters of the Third Kind

Raiders of the Lost Ark

Super Man

E.T.

Jaws

Jurassic Park

(Click to be taken to that section of the video.)

I can never decide whether my favorite part is Jurassic Park because the spoken interjections are too funny or because it's just such a gentle, expansive melody. Or because the harmonies are great there.

Sorry to geek out, but how awesome is this whole arrangement? There's something incredible about hearing a piece that is performed entirely by the human voice and still has this much depth to it. You don't hear that everyday.

I mean, this is only for four vocal lines. Your average rock song has the same number of puzzle pieces (vocals, guitar, bass, drums), but they don't fit together the same way as four lines of vocals. I feel like the A Capella texture sounds more complex. 

I guess it really is more complex, at least with regard to texture. In the rock band, the drums don't change texture because they don't have pitch. Then, the bass/guitar are typically in the background, supporting the vocals. You never get true polyphony like in the beginning of this medley, where you have four voices singing You must use the force and none of them is secondary to the others.

Plus, it's just cool to hear familiar tunes in a brand new way.

Okay wow. I had forgotten how much I love choral music. I was in an A Capella group in high school, but I haven't been part of a chorus almost two years now. I may have to change that.

Overview:

Genre:

Choral / A Capella

Favorite Lyrics:

John Williams is the man!

Verdict:

I need to rejoin choir.

Wait why isn't there a Star Wars section?

Adam's Song

You're Not Ready

Adam's Song by Blink-182

Recommended by Luke

"Alright, I know we all joke about Blink being the quintessential emo punk band when we're 12, but they actually had some good s***. This song is pretty dark and deep when you take a closer look. So what if it sounds a little bit like the cliche misunderstood teen calling out for help? There are people that can relate to that and need to know they're not alone."

Good points. I think we make fun of these kinds of songs because it's not cool to feel that much in public, but we all still secretly have them in our music libraries. Kind of like how we all survived on these songs in middle school, crying alone in our rooms and stuff, but no one actually talked about the feelings discussed in these songs back then.

Basically, we all put up a front of happiness. Which, incidentally, is mentioned in the song. I laughed the loudest, who'd have known?

I like how this style of music feels really down-to-earth and, I don't know, undperproduced. If I had started a band in high school, we would've played songs like this. Maybe it's because of the music videos, but I always felt like all you'd need were a few guitars, a garage, and a whole lot of feelings. Maybe a tattoo.

It's interesting how the lyrics are so painful, but the music itself isn't that sad. The tempo moves along pretty quickly, and the guitar honestly feels pretty lively. If anything, I might describe the arcs of the melody as pensive. Even the vocals...it sounds impassioned, for sure, but I don't feel like it quite reaches the level of hopelessness found in the words. I dunno.

I love the little piano interlude. It's regretful and beautiful, and I wasn't expecting it.

Anyway, thanks a lot. Guess I'll be listening to old pop punk and crying my eyes out for the next several hours. It's fine.

Overview:

Genre:
Alt Rock / Pop Punk

Favorite Lyrics:
Please tell mom this is not her fault.

Verdict:
:'(

Pillow Talk

More Than Happy, Zayn

Pillow Talk by Zayn Malik

Recommended by Alisa

"I've been waiting for this my whole life. I didn't realize it at the time, but I was waiting for this even before Zayn left One Direction. That is a fact."

Zayn is back.

Or should I say Zayn is here. 

Because this is the first time we've seen Zayn Malik as a solo artist, and this track is fresh.

The transformation is reminiscent of the one Justin Beiber went through. Like Justin, Zayn started out when he was just a kid and sang the teen pop recommended by the older, wiser people who knew better than him what he should perform. Then he took some time for himself. Now he comes back stronger than ever with a sick R&B track that is going to completely reinvent his image.

Or at least, that was the idea.

To be honest, this song still feels pretty pop-ish to me? I like it, but I expected more of a departure. I mean, Zayn's out there saying how he "doesn't f*** with" One Direction's style of music, but if it wasn't for the subject matter, this could actually be a 1D track. But whatever, it's tight.

Anyway, I don't want to stick with comparisons for too long because Zayn deserves to recognized for what he is not what he's similar to, but I have to say when I first turned on Pillow Talk, I was reminded of Justin's album. Not in a bad way. I think it's because they're in the same sort of genre. And because of those funky sounds in the beginning.

(If I'm mentioning Justin, I might as well bring in Selena Gomez. The chorus of Pillow Talk has hints of the melody from The Heart Wants What it Wants. Not on purpose. This happens in music all the time. It's not really worth mentioning, I just can't keep my irrelevant thoughts to myself.)

I missed this voice.

Zayn has the most perfect voice I've ever heard. It's smoother than silk. It's as smooth as polished river stones and twice as beautiful. It's butter and honey. It's sinking into a bath when the water's the perfect temperature. And this has been a conservative description.

But then he's using that angelic voice to murmur these unholy things, and I have to pause the music for a mo'. You know when you're in a hot tub and it feels nice but every now and then you feel like you might pass out and you have to get out and jump in the cool part of the pool? It's like that.

This song should have one of those warnings, like, "Enter and exit slowly. Elderly persons should consult a doctor before use. Limit your soak to 15 minutes, and cool off before re-entry."

No but in all seriousness, I actually think the lyrics are pretty tasteful despite the occasional use of, ahem, explicit vocabulary. I guess you could say they're so pure, so dirty and raw. I mean, yeah, it uses the word f*****g, but it's not graphic about any lustful acts. It's about the passionate night before, but it's also about the morning after. It's about sex, but it's also about pillow talk.

I mean, it's still sensual as hell, but it's not raunchy.

I also dig the juxtaposition of contrasting ideas. It's not an original concept, but it's not a broken one, either. The whole song is written in contradictions, but here are some of my favorites.

I'm seeing the pain, seeing the pleasure.

Paradise. War zone.

My enemy. My ally.

Proud of this kid. Love this kid. Can't wait for more.

Overview:

Genre:
Contemporary R&B

Favorite Lyrics:
Nobody but you,
    body but me,
    body but us,
    bodies together.

Verdict:
We'll piss off the neighbors...by playing this song on repeat all day.

White Privilege II

When the Iron's Hot, it Burns

White Privilege II by Macklemore & Ryan Lewis feat. Jamila Woods

Recommended by Cristina

She says, "I'm gonna recommend you the neglected hip-hop category. I don't listen to Macklemore that much, but this is one of the most important hip-hop songs I've heard all year."

"The neglected hip-hop category" is a fair critique. Hit up my submission box.

But let's consider for a moment the overwhelming irony in that a song written by white guys for other white people is getting called "one of the most important hip-hop songs I've heard all year." When that song literally questions whether white people are even valid participants in this genre. 

I mean, she's not wrong. I agree that it has the potential to be a very important song, politically and socially. (Whether it's doing anything important for the hip-hop genre creatively is another story.)

But still.

This song isn't super fun. It's almost 9 minutes of commentary on white privilege and cultural appropriation (in his words, exploitation). It could be a rant, but it's well-organized and self-aware. That's what makes this track work. He's not trying to talk about race issues objectively - an impossible task; rather, he's going at it from his own perspective, a narrow, white perspective. Narrow on purpose, because who is he to talk about what he hasn't experienced? Who is anyone?

A summary: White dudes drawing the attention of other white people to a universal social issue through a genre that grew predominantly out of black culture, but they keep it real by acknowledging mid-track that the track itself (called White Privilege II) is going to benefit from white privilege which is why they had a responsibility to write it.

(What?)

But, um, I still like it.

Yeah. I mean, I'm not about to work out or jam in my car or fall asleep to it, but I think Macklemore makes some valid points, and the execution is more than fair.

The nontraditional, linear structure was a good call; it would've felt weird with hooks and refrains.

The actual news/interview clips were a little "too much" except that it wouldn't have worked without them. If that makes sense. Like, "Oh wow he's gonna insert clips of s**t white people say. Oookay." But I mean you could say that about the whole song, and people do: "White privilege? Dude can you just, like, rap. It's not that deep."

But, like, it is that deep. And it should be. Macklemore recognizes that he's in a position where people will listen, even if he's been put in that position due to a corrupt system.

One option would be for him to haul ass out of the hip-hop genre. He could say It's pretty f***ed up that I'm creating music in this genre that was made what it is by black artists, and now people are telling me I'm the only artist in this genre that they like. I'm going to stop participating in this system.

But there is more than one option, always. Clearly Macklemore has decided to stay in the game, and I think that if he's sticking around, White Privilege II is the best way he could have chosen to do so.

He chooses to take on some real issues. And once he's there, why not make a 9-minute song that actually really gets into it? This thing feels like performance art from a social justice rally, anyway.

At least it's committed to that role.

The big question for me is whether the target audience is going to be receptive to the message. White Privilege II is aimed at white people who benefit from the current social paradigm and maybe haven’t ever actually read an article, actually had a dialogue, actually looked at [themselves], actually got involved.

This is where that potential to be important comes in.

I appreciate this song for taking a look at a topic that is tearing our country apart right now. I think it’s well-written and well-executed. But there’s a lot of literature out there that does that, if you look for it.

The reason it’s significant for Macklemore to put it into a song is so that these ideas might reach the people who don’t want to do a Google search. It brings these ideas into the foreground and makes them accessible. It makes people want to talk about them, and it makes us feel like we can. That’s important. That could bring about change.

Look I'm gonna cut myself off in a second because I've been listening to this song for two hours and I'm losing it, and this post is way too long already, but there's one more piece of background worth mentioning:

You hear Jamila Woods at the end of this track, but her voice alone doesn't reveal the fact that she and another woman of color, Hollis Wong-Wear, collaborated with Macklemore and Ryan Lewis on this piece. From what I've read, there were a lot of good minds working on this thing, and I think it shows.

Overview:

Genre: 
Hip-Hop / Rap

Favorite Lyrics:
We are not we.

I've heard that silence is an action, and God knows that I've been passive.

Verdict:
Important.

Longest song, longest post.

Empty Heart

"The Worst Thing an Artist Can Do is What is Expected of Them." - Grace Potter

Empty Heart by Grace Potter

Recommended by Lisa (happy birthday, mom!)

Plus, I'm going to Grace Potter's concert tonight, and I'm so pumped!

I hadn't heard much of her music before deciding to do some homework for tonight. People keep asking why I'd agree to go see someone I'm unfamiliar with: it's because concerts are always fun. There's something about live music...the sound, the energy.

Speaking of energy, Empty Heart has a lot of it.

Lyrically, we've got my favorite thing in the world with the on-purpose stuttering to facilitate exceptional phrasing: Why won't you tell me what - what you want with me. Good phrasing goes a long way in delivering a dynamic song.

The vibe is similar to Lynyrd Skynyrd's Sweet Home Alabama, with the twangy guitar and sick piano riffs. Later, the addition of extra voices helps give an already-energetic song a more expansive soundscape. When that gospel choir comes in, the texture becomes SO rich and exciting that I can't keep up. I love it. Do I focus on the choir? The lead vocals? The drums? Guitar? All of it at once?

Apparently Potter came up with this piece in a mid-western hotel room with nothing but boredom and a broken guitar. So...wow, I guess. Good job.

Update 1/27:

The concert was amazing. Grace Potter is a piece of work. She does her own thing and she does it shamelessly and she does it well.

But it was not what I was expecting. There's two reasons for that:

1) If you haven't seen Grace Potter before, there's actually no way that you could possibly expect what went down on that stage last night.

2) I listened to her new album in preparation. Midnight is definitely rock, but it's a soulful, bluesy rock. Her old stuff, which made up a good bit of last night's concert, is hardcore rock and roll.

Empty Heart, which I expected to be the rule, was most certainly an exception. It's possible that this is the direction Grace Potter is going, and if that is her choice then I wish her well - it's certainly more accessible to the casual listener - but she has something special when she goes deep into that hard rock space. It's not even my cup of tea, but I have to admit it's impressive.

Most important part of this song live: the ending. When Potter's voice gets breathy and the keys take it away. That's a cool moment.

Overview:

Genre:
Blues Rock

Favorite Lyrics:
Yeah, we all make promises we can't keep;
And they're paper thin but they cut so deep.

Verdict:
It'll touch, fill, and tickle your empty heart.

C'mon

C'mon, C'mon

C'mon by Panic! At The Disco & Fun.

Recommended by Babsh

"My roommate was reading Percy Jackson, and I found out about this song for Percy Jackson-related reasons on Tumblr years agooooooooooooooooooooooooooooo."

I would love to know about these Percy Jackson-related reasons, Babsh. That was a great series...hmu later.

This song would be perfectly at home on my middle school playlists. It reminds me of The Offspring a little bit. Except a little softer. Yeah? ...No, you know what it is - the melody at the C'mon, c'mon part sounds vaguely like Can you stay strong? Can you go on? from "Kristy Are You Doing Okay?" by The Offspring. 

This is an excellent collab. I can really hear the elements of both groups. The instrumental sounds like Panic! and a lot of the melodies sound distinctly like Fun. Or maybe that's just because Nate Reuss has such a recognizable voice...

Anyway, the instrumentals are my favorite part about this track, which is saying something because the vocals are also something special. I like the transition from the simple staccato piano chords  to a deeply textured mix of instruments and back again. That last, low, lonely chord feels so right. 

There are a bunch of orchestral instruments going at some point. You can hear the strings really well around here, which I think is the most intense point of the whole thing.

It's a really hopeful and optimistic piece of music. There's a lot of talk of sadness and loss, but it's approached from a positive angle.

As for the vocals I mentioned earlier: Brendon Urie's voice getting all soft and sweet during that first C'mon, c'mon, with everything falling down around me / I'd like to believe in all the possibilities is the best thing I've treated my ears to in a very long time.

At the end, I was not ready for him to scream those Yeah Yeah Yeah!s. Then he brings back that mellifluous (yeah, I'm going there) and muted tone from the beginning of the song as he croons (it's honestly a transcendent experience) that last line: It's getting late, and I cannot seem to find my way home tonight.  Kills me.

Overview:

Genre:

Pop Rock / Alt Rock 

Baroque Pop (from those orchestral sounds)

Favorite Lyrics:

May we stay lost on our way home?

Verdict:

We shall sing, we shall sing 'til the morning.

Dime Store Cowgirl

Just a Small Town Girl

Dime Store Cowgirl by Kacey Musgraves

Recommended by Grace, again

"Cause you need to add a little country to your blog! :) I love Kacey, and the way she writes is so witty. This song reflects my love of travelling but also the comfort I feel when I go home."

After reading Grace's description of this song, I was excited to listen to it because I definitely relate to that paradox of wanting to keep exploring the world while also wanting to spend some time in a familiar place with familiar faces. I think most people who travel can understand that. Classic.

Plus, I really do enjoy country music. I don't know why I don't listen to it more. The accented voices are always so charming, and the common themes of family and simple pleasures and going back to your roots makes the stories sound so humble.

I get a really pleasant feeling when I listen to this song. It's the "home" part of the travelling vs. staying home tug-of-war: comfortable and welcoming and warm. This is equal parts lyrics and delivery. Kacey has the quintessential country lilt. On top of that, her voice is absolutely lovely.

Maybe I'm getting carried away - music is supposed to carry you away, right? - but I actually teared up at that bridge:

I'm happy with what I got, 'cause what I got is all I need.

Just because it don't cost a lot, don't cost a lot, don't mean it's cheap.

First of all, true. Second...the way she slows down at the end. And then she takes the melody UP instead of resolving it DOWN where you expect it to go on cheap...Lord have mercy on my poor sensitive soul.

Overview:

Genre:

Country

Favorite Lyrics:

It don't matter where I'm going; I'll still call my hometown home.

Verdict:

<3 <3 <3 <3 <3

Rasputin

Hey Hey Hey Hey!

Rasputin by Boney M.

Recommended by Ashley

She says, "This is my favorite song to dance to on Just Dance. It's a Masterpiece."

What's not to love? This song has all the elements for success. Catchy melody, memorable lyrics, and snazzy instrumentals.

In all honesty, this song is just a big party. That fiddle is full of ecstasy and fire. You have to tap your foot along and maybe even dance a little bit. (Or a lot. No judgment.) And don't even try to keep yourself from joining in on those "Hey! Hey!"s.

Then the lyrics...hilarious. Somewhat unnatural phrasing, perfect rhymes, the occasional foreign word, and a vaguely sexual undercurrent. Awesome.

Plus - and I'm not even joking here - they tell a very clear story. I'm all about that. Rasputin's introduced in the first verse. Then we learn about his outrageous lifestyle. I really feel like I know the guy by the time we finally hear (SPOILER ALERT!) of his demise.

I love the call-and-response style of the verses. I'm not usually crazy about spoken interludes, but this one earns points for historical accuracy. This whole song is the biography of a real human! And even if the rumors aren't accurate to real life events, they are by all accounts actual rumors that spread through Moscow during Rasputin's life.

I think it's worth mentioning that this is a song about 19th-century Russia produced in Germany in 1976. I don't know how much that actually matters, but I feel like it explains a lot.

I've had some earworms on this blog, but this diddy takes the cake. I promise, for better or for worse, you will not be able to get that chorus out of your head for days. (Honestly, why would you want to?)

Plus, it's my favorite song to dance to on Just Dance, too.

Overview:

Genre:
I...um. Pop / Euro Disco

Favorite Lyrics:
Ra Ra Rasputin
Russia's greatest love machine.

Oh, those Russians.

Verdict:
Wunderbar

(Note: I embedded the version above because it's easier to digest than the album version, which is almost 6 minutes long.)

Never Be Like You

EXPLICIT

Never Be Like You by Flume (feat. Kai)

Recommended by Ray

"It's COOOOOOOOL."

Thank you for that lovely insight Rachel.

So...this song sparkles.

Is there any other way to describe those glittery noises that make up the intro and glisten in the background until about 0:38. It sounds like someone's casting a spell.

It's a cool (sorry, COOOOOOL) noise to begin with, and it gets even better a few lines in when the lyric is I would give anything to change this fickle-minded heart that longs for shiny things. I think my excitement level when I noticed that was a little extreme.

I miss the sparkle when it goes away, but it's replaced by other background sounds that are almost as great. There's some pretty funky electronic stuff going down behind the vocals.

Speaking of vocals, it's interesting to hear the high pitch and clarity of Kai's voice over the gritty dissonance of the synth. It's a stark contrast that makes for a really nice texture, especially once the you add in the drum accompaniment. The syncopation is all over the place, which kept me engaged.

The lyrics don't strike me as particularly beautiful, but there are a couple of really high points. I already mentioned the shiny things line that Kai sings over the shiniest of backgrounds. My other favorite part is when she says I ma- I made a mistake.

I have a thing for stuttering through lyrics.

Even though they didn't hit home with me, the lyrics do have a certain realism to them. I used to be kind of offended by explicit lyrics in songs (back when I was a pure and innocent child and curse words in general made me uncomfortable), but now I'm of the opinion that it's a valid form of expression. I mean, this girl is in the process of getting dumped. I think it's fair for her to say I ****** up when she's talking to her ex. I probably would.

Overview:

Genre:
Electronic

Favorite Lyrics:
I'm only human, can't you see?
I ma- I made a mistake.

Stop looking at me with those eyes.

Verdict:
Everything's okay.

Unbreakable Smile

Sara Admitted It Was Her

Unbreakable Smile by Tori Kelly

Recommended  by Your Mom

It's a mystery to me whether this was recommended by a sassy friend, my actual mother, or a third party with a last name Mom, first name Your. The explanation of this song being a viable candidate "because I said so" doesn't clear anything up. I'm leaning towards it being from my own flesh and blood. Hi mom.

First of all, I love the beat. That syncopation is great. How do I even...one and TWO and three and FOUR. Drums are awesome.

Another awesome thing: the melody. This song is super catchy. It will be in my head for the next several days, I have no doubt. The la da da da dees! Nice. Also, the phrasing. Like...

The way she breaks up this phrase is so unexpected:

I guess we have / different / definitions of living.

And in this series of lines, it's unexpected how she doesn't break up the phrases.

So call me boring call me cookie cutter call me what you want a matter of fact just say it loud and don't st-stutter.

She's does that "no break" thing a lot. She's written a whole novel, and she sings it casually in under four minutes. It takes more finesse than one might think. I can't keep up. I've got the lyrics right in front of me, but I keep tripping over my tongue.

Speaking of lyrics, there are some bona fide gems in this piece. We've got sweetness and sass, the cleverest wit, and simple truths. It's kind of a joy to discover. I pick up on a new brilliant line each time I listen.

Beyond the poetry of the phrases, the meaning is clear and powerful. You have the power to be unapologetically yourself, your whole self, and nothing but yourself. If it's not the most original of all concepts, at least it's no less true now than the first time it was spoken. And she delivers it in a fresh way, which is what really matters.

Overview:

Genre:
R&B / Pop

Favorite Lyrics:
EVERYTHING

You start singing the blues when you start seeing the green.

I smile because happiness is all I have.

You'll find me at church, but that don't mean I can't cause trouble.

I'd rather make 'em yawn than be a pawn on your chessboard.

God made me sexy; I don't care if only I know.

Verdict:
A song about real things

Sound & Color

Did I Mention I'm in Advertising?

Sound & Color by Alabama Shakes

Recommended by Crews

My brother appreciates the "soulful production with live and a modern electronic-influenced sound." He also cites the strong pitchfork review: "This is stadium soul with one eye peeking toward another galaxy while hands and feet and throats desperately try to suss out life here on Earth."

Apple clearly agreed with Pitchfork Review's comment on  "peeking toward another galaxy," as they used a 30-second clip from the song in one of their advertisements for iPad Pro, titled, "A Great Big Universe."

First of all, I love this video spot. The images go perfectly with the audio, and the song sounds as fresh and clean as Apple wants the product to appear. Apple knows how to advertise, I tell you.

The song sounds perfect in this 30-second spot, as they're playing nothing but the best part of the song. It's like opening a box of Lucky Charms and finding nothing but the marshmallows. Except, you know, fewer cavities.

(It reminds me of this song being used in this Hilton ad. But I digress.)

It's a risk, I think, to have a 50-second intro in this age of high-speed Internet and multi-tasking and short attention spans.

It works for two reasons.

1) When you're listening to music, especially a slow piece like this, you're not worried about getting to the point. In the fast-paced world of 2016, it's nice to have something that isn't going, going, going all the time. Music is an escape from problems and stress already; why shouldn't it also be an escape from the hectic pace of that day-to-day 9-to-5 life?

2) It's not an intro.

I mean...it seems like one, but bear with me. It's the entire first third of the song; I think it's more than just an introduction. It's the first part of the song, and it is slower the rest, but it doesn't have to and shouldn't be relegated to "intro." It sets the mood, and it's delicate and pretty and important.

At first I was not into the lyrics. I didn't like the repetition of the phrase Sound & Color.

See, the iPad commercial was my first experience with this song. I thought it was funky and smooth and fresh. It disappointed me when the rest of the piece was led by vocals singing the same phrase for a whole minute rather than a vast, echoing electro-xylophone-sounding instrumentation, like what we hear in the commercial.

But now I can kind of appreciate the whole thing.

I like the instruments in the "intro," the percussive instrument in the foreground, the deep electronic sounds in the background, and the way the whole sound kind of vibrates like there's a ringing in your ears.

I like the sense of wonder and optimism in the lyrics.

And I really love the dissonance in this time when they sing sound & color. The rest of the repetitions aren't so bad if you let them fade into the background.

Because they're words, we want to focus on them; because they're the title words, we think they're important. But it's the words in between that carry the most meaning. Let the sound & color repetitions fade and become simply sounds that add color to the musical background and let the other lyrics center stage.

The ending is still a little abrupt for me, kind of like this.

Overview:

Genre:

Soul / Blues Rock

(Or "gospel-punk-meets-Southern-rock-freakout-meets-blues-funk-disco with a tiny bit of free jazz thrown in because why the hell not," as the band would say.)

Favorite Lyrics:

A new world hangs outside the window.

Verdict:
Ain't it just awful strange? (But far from awful.)

Memories That You Call

Blame It On the Lack of Sleep

Memories That You Call by Odesza

Recommended by Jas

"I like it. V soothing, and I want to know your thoughts on EDM."

This song is sick.

When I saw soothing and EDM in the same sentence, I couldn't keep my eyebrows from lifting. EDM takes my brain to a very different place than the ethereal, trance-like song that this turned out to be. EDM has always been for me synonymous with Dubstep and heavy bass lines and weird screechy sounds that I would never want to hear outside of the club at 2:00am.

(Not that I would know what it's like to be out that late. Of course not. It's okay, Uncle.)

This track is a dream.

I'm going to walk through it differently than the way I've written about other songs because I feel like it provides a different experience than the other songs so far.

It starts out with a slow, peaceful section that wouldn't be out of place in a yoga studio. Gradually, new sounds are added, and I take it as a representation of "waking up" in a dream. It's as if the peaceful intro is the part where you're in bed falling asleep, and the more active section that follows is the part where you've fallen asleep and begin dreaming.

During the next section, things calm down again. It feels like outer space, sounds like planets, huge and solemn and beautiful, floating through the blackness until they run into something. Maybe they never will. Extending the dream metaphor, maybe you are the planet now. It's a dream, you can be anything, even a giant, lonely celestial body.

This is the bit where the lyrics finally come into play. The lyrics are interesting in this piece because there are so few of them. We have a total of four lines of text which I will reproduce below:

Can feel your heart,
Yearning slow.
Can feel
Slow all the memories, that you call.

What?

I think maybe it's beautiful and poetic on some level, but I haven't reached that level. If you're there, enlighten me please.

But it doesn't matter that I don't get the meaning lyrics. Without looking them up, I can't even make out the individual words, and that doesn't matter either. It's just like the rest of the song, where there aren't any lyrics to misunderstand at all. You don't need them; the music speaks for itself.

I've been thinking about a dream I can't quite comprehend. The lyrics say it's a far-off memory. Similar vibes.

Then the vocals are even more distorted than the distant mess they started off as, and the beat picks up into what I'd consider to be the climax of the piece. And then finally, it pulls back with a perfect bookend, a recreation of the intro. Coming back from the dreams or memories or whatever out-of-body experience you've been having.

And then it's over.

Overview:

Genre:
Electronica

Favorite Part:
Right after the lyric part, here. Where it's joyful and beautiful like the sun rising.

Verdict:
Can feel this song in my heart

Green & Gold

Stay Gold, Ponyboy

Green & Gold by Lianne La Havas

Recommended by Kim

"La Havas' album, Blood, was extremely underrated in 2015. She has such an amazing voice that transcends her listeners. I'm really digging the oldies beats that she mixes in with some modern twists to create a cool vibe. For "Green & Gold," I think she mentions some interesting emotions a lot of us feel growing up, especially reaching out to her POC audience. At some point in our lives, we all have that moment when we look into the mirror and think, 'Who am I? Who am I becoming?' or something to that effect."

I really like the rhythm of this piece. The funky guitar and the steady backbeat, kind of at odds with each other, sound really cool.

Then it slows down and she pulls out some of those harmonies. It's clear from the beginning that Lianne La Havas has a beautiful voice, but it wasn't until 2:20 that I was truly transported the way Kim described. From then on, she takes off on these killer riffs periodically, and it's pure gold.

Not as much green. Though you could say her vocals are fresh, and that's kind of green. Funky fresh.

The lyrics in the verses tell a clear story of a girl wondering who she is and where she's headed, then proceeds to show the way her life unfolds.

I thought I understood most of the chorus. Dreaming of the green and gold is about the search for money and riches, right? Green...money. Gold...self-explanatory.

But I was stumped by ancient stone.

I did a little digging, and I'm glad I did because the text is actually more symbolic than I thought at first glance. Green and gold are actually the colors of the Jamaican flag. La Havas wrote that part while she was living in Kingston, discovering her roots from her mother's side. Her father's side of her ancestry is represented by ancient stone. Her father is Greek.

I don't think it's always necessary to understand the writer's exact thoughts to appreciate a song, but it can't hurt. In this case, I found it to be quite rewarding.

As Kim said, we can all to the idea of wondering, "Who am I?" It was neat to discover that while she wrote the song, La Havas tried to answer that question for herself.

Overview:

Genre:
Soul / R&B

Favorite Lyrics:
I'm looking at a life unfold.

Those eyes you gave to me that let me see where I come from.

Verdict:
Like finding an old friend

My Type

Book 'im, Saint Mo.

My Type by Saint Motel

Recommended by Reid

He first directed me to the video, pointing out that it's kind of hilarious. "It's cool. There are a bunch of people in a room, and they're all looking at each other because they all have different, you know, types."

Reid admits that, "maybe it's not the strongest lyrically, but it's catchy and fun and upbeat." He says that some songs are written with different goals in mind than other songs. If a song was meant to make you dance and it succeeds, then why would you complain that it's shallow?

I agree completely. Some songs are made to move your heart, and others are made to move your body. This is definitely an example of a jam that will help you get your groove on.

I always listen to the whole "song of the day" one or twice to get a feel for it, then play it on repeat while I write the post. For this track, I probably listened to it a solid three or four times before I realized that it was completely tongue-in-cheek.

With the upbeat melody and altogether lively vibe, it's clear that the song is all about making the listener feel happy and have a good time. Still, I didn't catch the chorus saying that the "type" they're talking about this whole time is just someone who's "got a pulse" and who's "breathing." When I finally focused on the lyrics, I had to grin and roll my eyes.

Oh, Saint Motel, you slay me.

As much as I love the laid-back and all-inclusive perspective on love jokingly achieved in the chorus, Reid is right that the song isn't about the lyrics. It's all about the sound, and that opening riff that threads its way between the background and the foreground throughout the track is the best thing ever, hands down.

It feels simultaneously retro and fresh, while also reminding me of the Hawaii Five O Theme Song.

(Doesn't it? Come on, yes it does.)

Lots of interesting sounds, too. Are those horns in the beginning? And I think maybe I heard a slide-whistle...? Anyway it's never boring.

And the same can be said about the music video. It's cute but casual as everyone trades glances, but then I got to the guy in the helicopter and lost it. You won't be disappointed.

Hope everyone enjoys this song as much as I did!

Overview:

Genre:
Indie Pop / Dream Pop

Favorite Lyrics:
You're just my type.
Oh, you got a pulse and you are breathing.

Verdict:
Don't fight it, just keep listening.

This is song 17 out of 366...wow this is going to be a long year. But luckily I've already learned something! I used to think that there was some kind of science to the designation of "genre," but now I'm convinced it's up to you. My research shows that people throw songs under multiple categories and often make up their own subgenres (Dream Pop? Really?). Good to know. I may have to take this knowledge and run with it.

Beneath Still Waters

Reflections on a River

Beneath Still Waters by Emmylou Harris

Recommended by my Advertising & Society professor

She didn't give me anything to go off of except, "anything by Emmylou Harris," so I searched "Best Emmylou Harris songs" and here we are.

I felt some Eagles vibes at first, I don't know. I think it was the fact that I was immediately transported out west, to wide open spaces and starry skies.

This song makes me feel really calm, like the still waters it mentions so often. On the surface, the melody ambles along, sweet and relaxed. It's not until you dig into the lyrics that you realize how painfully sad the song is.

Even a fool could see that you'll soon be leaving me.

The notes are all in a comfortable range, and Emmylou sings them perfectly. Her voice is clear and pretty and emotive, and it sounds lovely over the backdrop of the guitar. It's beautiful.

This is an easy song to listen to, and I can see myself pulling it out on a lazy afternoon while I study or at a bonfire as I contemplate life.

Overview:

Genre:
Country

Favorite Lyrics:
The surface won't tell you what the deep water knows.

Verdict:
Listening from beneath the still waters of my unshed tears

History

Wow, Alisa Really? Already?

History by One Direction

Recommended by Yours Truly

"This isn't my favorite song by One Direction, but the lyrics are really special. It's basically a love song - or a break-up song, depending on who you ask - between the lads and the fans. Either way seems kind of personal. I like it a lot."

For those of you who know me, I'm sure you saw this coming. Maybe not this exact song, but you knew I had to do a One Direction song. What can I say? I've been doing this new music thing for two weeks now, and I missed them.

Liam Payne said this song is a modern take on the Toy Story theme, and I definitely get that vibe. Which means it sounds like it should be playing over the end credits of a movie...but let's not talk about that.

Sure, it's vaguely nostalgic, but it's also celebratory. Happy.

I like the acoustic sound. There's nothing fancy, not much more than a guitar and some clapping. Even with the vocals, there aren't any crazy harmonies. It's simple and clean and really cool.

The slow tempo is perfect for the mood of comfort and warmth. If it has to be a break-up, you get the feeling that it's a reluctant, or at least amicable, one. Maybe wistful. The lyrics certainly support that interpretation.

We could be the greatest team that this world has ever seen.

We could live forever.

If only.

Overview:

Genre:
Pop, I guess. I don't really...

Favorite Lyrics:
I thought we were holding on. I thought we were going strong. Aren't we?

So don't let me go.

Verdict:
This song and I have a whole lot of history.

Fun fact - there are fans singing along in the actual track because this song really is for us. Don't fight me on this.

Update: I've attached the music video. And the tears stream down my face.

Canon in D

That Dweam Within a Dweam

Pachelbel's Canon in D 

Recommended by Campbell

Campbell has strict guidelines about how he prefers the song to be played. A string quartet. Two violins, one viola, and one cello. He calls it "beautifully written instrumentation," but it's even more special and personal to him because it was one of the first classical pieces that he liked. He played the viola part for this song once, and now its familiarity is a source of comfort.

I hope the version above by the Vetta Quartet meets your standards, Campbell.

I do like this string version, how it starts so simply with the cello solo before being joined by the sweet violin.

A brief music lesson: a canon is a piece in which two or more voices (human voices or instruments) sing or play the same melody at different times. If you ever sang in choir, a round is a type of canon.

This is beautifully done in this particular canon. I love how each voice comes in one at a time so that you can appreciate each instrument and each individual line of music.

Being a pianist, I'm partial to this arrangement. The beginning reminds me of a music box. And then later when it adds the higher notes...perfection.

Or perhaps you prefer this, with a full orchestra?

Then there's also this version that tries to be as close as possible to what listeners might have heard in the 17th century when this music was first written. How incredible is it that we can listen to music written over 300 years ago and still be able to connect with it? Still find it beautiful? Still play it at, like, every wedding?

Truly timeless.

(Bonus)

Overview:

Genre:
Baroque / "Classical"

Favorite Moment:
That trill at 1:10 in the video embedded at the beginning of the post.

Verdict:
Canon in D for Delightful

Note: The way people popularly use the term "classical" to refer to any kind of old-ish instrumental music is not exactly correct. True classical music must have been produced in the Western world between 1750 and 1820. That which we commonly call "classical" music is more accurately known as Western Art Music.

Gravity

Soundscape

Gravity by Sara Bareilles

Recommended by Anonymous

This person says, "I like reading your blog and experiencing songs from your perspective. I love everything about this song, especially the emotional memory my body feels when listening to it."

Thank you for reading, and thank you for your kind words. I'm super pumped that you like my blog, and I'm so glad you've chosen to participate!

I fell in love with this song immediately. The strings set the stage perfectly, and then the piano brings its A Game two seconds later. I can never say never to a piano-based instrumental.

As a pianist, I'm biased, but I think the piano is the most beautiful and emotive instrument in the world. Played by a talented musician, it has an incredible dynamic range, and this song makes use of the quietest background noises, giving Sara's voice time to shine, as well as booming bass notes that give the piece a strong, full feeling.

I adore the way it sounds both expansive and intimate at the same time. Not only is it a treat for the ears, but it reflects the meaning of the song perfectly. It's about gravity, which is an attribute of massive celestial bodies; it makes you think of outer space and the heavens. But it's equating gravity to love, which is the most intimate emotion we have. It's really lovely.

I'd like to hear this song live to see if it retains that intimate feeling while its filling the concert space. I bet it would.

I didn't expect to like it because I don't consider myself to be a fan of Sara Bareilles, but I may have to reevaluate after hearing that note at about 2:50. I'm imagining someone performing it on American Idol, and the "nice judge" of the season is like, "Chills. I just got chills."

At first, I wasn't feeling the lyrics because they seemed to contradict themselves so much. I never wanted anything so much and yet I don't wanna fall another moment. Here I am and I stand so tall yet I live here on my knees.

Thinking on it, though, I guess she did that on purpose. Because love is like that. She's trying to stand tall, but it's hard. She wants it, but she wishes she didn't.

I guess it's okay for someone to keep pulling you in when you're both in love, but it's not as nice when they don't love you back. I get it now.

Kind of like how you can't help listening to this song, but each time it breaks your heart again.

Overview:

Genre:
Pop Ballad

Favorite Lyrics:
You hold me without touch.
You keep me without chains.

Verdict:
Pulls you in like, well, gravity.

Human Nature

Funky Fresh

Human Nature by Michael Jackson

Recommended by Gina

She calls it "one of his best songs" and mentions that it's "constantly sampled in other songs," citing Right Here by the 90s group SWV. "Also," she adds, "you can't help but feel so serene while listening to it."

Michael Jackson is the King of Pop - even I, in my 2000s / 2010s #Hot100 bubble, know that - and this song is just one of many amazing tracks in an incredible career.

Despite hearing about Michael's genius through collective pop culture knowledge, I've never listened extensively to his music. I have my favorites: Thriller (because it was in 13 Going on 30) and Smooth Criminal (because they did a cool cello cover on Glee)...but that's about it.

Confession: I pretend to be familiar with the song Billie Jean, because everyone is, but I actually only know that one line Billie Jean is not my lover.

Anyway, this song is really cool. Listening to it definitely does give me a feeling of peace. It makes me want to be silly with that special someone at sunset and roll down a hill again and again until we're too dizzy to stand up, then just lay there in the grass and look up at the stars.

The lyrics are not quite as innocent. First you're looking out across night-time and then you're looking out across the morning, and this girl still hasn't gone home. I think we all know what's going on here.

That said, the lyrics are dreamy and sweet and never overtly sexual. The dirtiest lyric we have in this song about lust is sweet seducing sighs, and there's something refreshing about that.

In the foreground, Michael's voice is killing it. And talk about sweet seducing sighs...listen, this guy's breathing is as much a part of his songs as his singing. Can you imagine Michael Jackson songs without his little gasps? Certainly not this one.

And in the background: how quintessentially 80s is the instrumental?

Love this jam! Thanks for the recommendation, cuz.

Overview:

Genre:
Soft Rock

Favorite Lyrics:
Looking out across the morning,
The city's heart begins to beat.

Verdict:
I like listenin' this way.

P.S. We can't talk about Michael Jackson without mentioning his dancing. What a performer.

Breathe

Branching Out

Breathe by miss A

Recommended by Gourav

I actually just saw this kid tweeting about how amazing this song is, and I asked for a comment on why it was so great. He referred me to "the addictive beat, the popping colors, the quirky video and the live stages."

This is still, of course, a music blog, but Gourav reminded me how the music video can amplify the enjoyment or understanding of a song. I was thinking about that all day, since Kim commented on yesterday's post and mentioned the video.

And wow, this video is a lot to take in. Quirky is a good word for it, from the outfits to the dancing. And, you know what? Addictive is another good wood for it. Nice work, Gourav.

This song gives me 90s vibes. I think it's a combination of the choreography, the wardrobe, and the bubblegum pop sound.

The language barrier exists with this song, but it's not a huge problem when you're having so much fun dancing wildly around the room. On first listen, I hadn't checked the English translation yet, but I felt like I got the full effect anyway, only understanding I can't breathe and I'm gonna let you know.

Someone's got a crush.

When I turned the subtitles on, this was confirmed.

I think when I'm dealing with a foreign language track, it's better to know an overview of the song's meaning rather than translating every single line. The song is more enjoyable when I'm focusing on the upbeat melody rather than trying to capture every word of a language I don't speak. After all, even the most brilliant lyrics can fall flat in a translation.

I'm trying to pick a favorite part: Is it the insanely catchy chorus with the oh-ohs? Or is it the unexpected rap interlude (2:44) with the heavy breathing?

I don't often venture too far out of the English language, not in music or other media, and I think that's something I should correct.

This was a really fun international bop. Thanks Gourav!

Overview:

Genre:
KPop/Dance Pop

Favorite Lyrics:
Here's my love, baby boy.
I just can't breathe.

Verdict:
I just can't breathe because I've been jumping on my bed for 3 minutes and 43 seconds.

Above the Clouds of Pompeii

Have Your Tissues Handy

Above the Clouds of Pompeii by Bear's Den

Recommended by Kim

"This is one of the first songs I heard by Bear's Den, and I immediately fell in love with them. Their sound is very similar to some of my favorite bands (Bon Iver, Mumford & Sons, and all that indie goodness). The lyrics are rather simple and straightforward, but it took me a couple of listens to get the full effect. There's a very airy feel to it all, yet it's somewhat haunting and leaves you feeling melancholic. Hope you get a cool experience out of it like I did, and I definitely recommend their other stuff. I believe they just put out their first full album this past year."

A moving song...I teared up on my first listen.

I disagree about the lyrics being straightforward.

I don't know if this counts, but the title is definitely not literal. It's not taken directly from a line in the song, which always makes me suspicious. If it's not a catchy phrase from the chorus, it probably has a deeper meaning.

As for the actual lyrics, it never explicitly says what's going on, so it took me a while to figure out exactly who the song is talking about in each section. Is the whole song about the son's relationship with his single father? Or is the son talking about memories he had with his mother before she passed? Or was it the grandmother who died? And I can't quite wrap my head around the So my father and my son verse.

Not that the uncertainty takes away from the beauty of the song. The general meaning is clear, and the feeling of loss and nostalgia is inescapable. If I were to describe this song as concisely as possible, I'd say it's a sad smile.

And they certainly do have a beautiful simplicity to them. I have a deep affinity for repeated lyrics when it's done well, like it is here. There are quite a few tripled lines, but the repetition of I was too young to understand and She would want you to in particular struck a chord. They capture the grief, but also the beginnings of moving forward.

I like how you the song moves you from one place to another through both the lyrics and the music. The guitar comes in softly and sweetly as the lyrics speak about how she haunted our home.

Then the strings go silent and there's nothing but a very quiet...wind instrument of some kind, it's lovely...during the I was too young to understands. It's the most poignant moment in the song.

At then it's joined by a steady drum, and the guitar or banjo, whichever, comes back, and it just builds and builds as the singer comes back with Don't cry. Hold your head up high. She would want you to.

Beautiful song, beautiful story.

Overview:

Genre:
Indie goodness, did we decide? / Folk Rock

Favorite Lyrics:
Don't you know I miss her, too?
I miss her just as much as you.

Verdict:
Please, just don't cry is an impossible task. Listen anyway.

Folgers Crystals

Not Safe For Work; Works for a Work-Out

Folgers Crystals by J. Cole

Recommended by Gage

"Rap is a competitive genre that focuses on specific lyrics/wordplay. The clearer the message, the better the song. J. Cole is one of the best lyricists out, and this song sends a strong and clear message about why other rappers shouldn't be sleeping on him but instead, fearing him."

Y'all, this is not my style at all...which makes it perfect for this blog.

Folgers Crystals has the smartest lyrics of all the songs I've written about so far. This isn't a huge surprise, since witty lines are characteristic of the hip hop genre and this is the first rap track I've recommended.

Even the title...As Gage said, this track is supposed to wake everyone who's been sleeping on this guy. So...Folgers. It gets me.

It's essentially a really positive song, even though it's powered by anger. I mean, this guy's asserting that he was raised in hell but can still be the change that I wanna see, I can heal the world for real. That's ambitious. That's confidence.

This song is hard for me to connect to because I can't sing it. The words don't feel right in my mouth, and I think we all know they wouldn't sound right coming out of it. But that's fine. I like the way it sounds when this guy performs.

The way the words fit together lyrically is clever, but the way they fit together rhythmically is even more impressive to me. And the way this artist delivers them...really strong.

I haven't been exposed to anything like this a lot at all, so thanks for the recommendation!

Overview:

Genre:
Hip Hop/Rap

Favorite Lyrics:
Raised in hell, but heaven sent 'em.

Verdict:
I've been sleeping on this whole genre....need a little more before I'm woke.

So music doesn't have to be universal to be respected and appreciated. I guess nothing really does.

Unwell

That Banjo Though

Unwell by Matchbox Twenty

Recommended by my Uncle Manny

"I love this song because it basically states that everybody is a little unwell at one time or another, and I can empathize with this. And I love Rob Thomas."

Absolutely, what a jam.

This track has been in my music library for years, but I'm happy to rediscover it. I'll have to find it a place in one of my current playlists. Or maybe more than one of them. It's so versatile: upbeat enough to pump me up on a jog, but mellow enough for my mini road trips to and from school.

Plus there's never a bad time to listen to the infuriatingly smooth vocals from Rob Thomas. So good.

I love the prominence of the banjo. The instrumentation in this whole song make me happy. It sounds so...natural? Don't get me wrong, I think there are some really cool sounds coming out of the techno/electronic scene, but there's something great about that traditional four-piece setup. (Not that this would typically include the banjo. But that guitar/vocals/bass/drums thing? Golden.)

And, listen, that chorus is just plain catchy. I'm not crazy, I'm just a little unwell...

My uncle is spot-on with his interpretation of the lyrics. Rob Thomas himself says he wrote the song because "we all feel a little messed up sometimes...you're not alone." Powerful. True.

Music has an amazing capacity for influencing mood, and I love to see it used to deliver a positive message like this. When you're feeling sad or worthless or freakish or doubtful or generally unwell and you turn on this song, it's impossible not to feel at least a little bit better.

Overview

Genre:
Alternative Pop-Rock

Favorite Lyrics:
I can hear them whisper, and it makes me think there must be something wrong with me.

Verdict:
We're all a little unwell, but you're only crazy if you don't like this song.

Crazy

This Song is About Me

Crazy by Ben Rector

Recommended by Grace

It's the perfect follow up to your review of "Here"! The irony of the lyrics is hilarious. The fact he says "BALLIN AND NETFLIX" & "APPS FOR EVERYONE" is epic. I hope you like it Ali! :)

I love it.

If Here is an alternative to the popular songs about that partying lifestyle, then Crazy is a parody.of them. If Here is about that one night when you let your friends drag you out, then Crazy is about every other night when you do your own thing. So raise your glass if your life is crazy...crazy normal.

This song had me laughing out loud. 

(We wanted tacos, but the taco truck was gone. Tragic.)

It's about the average person's daily life, which sounds boring...but it's kind of perfect. The lyrics are already funny and humble, and just underneath the surface there's a clear message to enjoy the little things.

Sure, it may not be crazy to eat a home-cooked meal, watch your favorite t.v. show, and sleep in, but that sounds pretty nice to me.

I'd say the same thing about this song. No crazy high notes or instrumentation, but who needs all that? It's casual, it's catchy, and it's a good time.

Overview:

Genre:
Pop

Favorite Lyrics:
Last night was crazy, yeah we tore it up again.
Kicked off our shoes and went to bed by 9pm.

Verdict:
This song is crazy...crazy fun.

Never Never

The Rise of Elevator Music

Never Never by The Tontons

Recommended by Farha

“This song is one of those songs I can play on repeat and never get sick of. I think [Asli Omar’s] voice is gorgeous and the song is so sad yet so beautiful. Also this song is a bit more special to me because I don't know anyone else who listens to it. Not in an obnoxious hipster way hopefully, just feels more personal.”

I think I know what you mean, Farha.

It feels good to be able to share music with someone and watch them experience it for the first time. And it's personal because now that person will associate that song with you. 

Plus, it's music you discover on your own, and you choose to listen to it. 

You send the friend request to that song. You click follow. You swipe right. You take that song out to dinner and really get to know it before taking it home.

Popular songs just kind of break into your house and exclaim Hello, it's me.

(Not that you can't have a personal connection with a popular song. Refer to About This Blog.)

So let's talk about The Tontons.

Never Never is one of those songs that I feel like I should like. When I see some stylishly dressed girl on the bus, her earphones in her ears so that she doesn't have to make conversation, I imagine she's listening to a song like this.

I like it.

It's perfect to listen to while rainymood.com is open in another tab. While you're studying or maybe staring out the window. In a car or a coffee shop. 

Maybe an elevator.

Just kidding.

I could imagine it in the background of a sad movie scene, and for that reason it felt kind of familiar, even on the first listen. Not in a bad way, not boring. More like coming home. Comfortable.

I feel like the lyrics are tragic and disappointed and angry, but the music is just vaguely sad. Very heartfelt, but in a "life goes on" kind of way. Resigned, maybe. Again, like coming home. And it's comfortable...but some things are different and you're different and you kind of don't belong anymore, but what can you do.

The vocals really are beautiful, and it's a lovely listen.

Overview

Genre:
Indie Soft Rock

Favorite Lyrics:
You owe me something kind of wonderful.

Verdict:
I could listen forever forever.

P.S: Never let anyone invalidate your musical taste, no matter how mainstream your favorite songs are. On the flip side, don't listen to people who call you fake deep for liking underground bands. And for the love of God do not let the idea of "popularity vs. obscurity" intimidate you and keep you from submitting a song rec. I want diversity. I want all genres. I want songs that I've never heard, but I also want songs that I've heard a million times but never really taken the time to listen to.

P.S.S. Farha, the elevator thing was a joke don't hate me, I only said that so i could make the pun in the post title lol I really honestly like the song and I'm listening to Golden right now